| ttf-brill |
2.06-2 |
45 |
0.00 |
Brill Typeface by John Hudson for Brill Publishing House |
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| ttf-cheapskate |
2.0-19 |
9 |
0.26 |
TTF Fonts by Dustin Norlander |
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| ttf-crimson-pro |
1.002-1 |
3 |
0.09 |
A professionally produced redesign of Crimson by Jacques Le Bailly (8 fixed weights) |
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| ttf-crimson-pro-variable |
1.002-1 |
3 |
0.09 |
A professionally produced redesign of Crimson by Jacques Le Bailly (variable weight) |
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| ttf-devanagarifonts |
1.0-1 |
7 |
0.00 |
283 fonts from devanagarifonts.net |
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| ttf-elstob |
1.014-1 |
0 |
0.00 |
A variable font for medievalists |
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| ttf-elstob-desktop |
1.014-1 |
0 |
0.00 |
A variable font for medievalists |
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| ttf-elstob-variable |
1.014-1 |
0 |
0.00 |
A variable font for medievalists |
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| ttf-emberly |
1.3-1 |
1 |
0.00 |
A display font inspired by the Didone style created by Rajesh Rajput |
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| ttf-emberly-variable |
1.3-1 |
1 |
0.00 |
A display font inspired by the Didone style created by Rajesh Rajput |
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| ttf-fraunces |
1.000-1 |
1 |
0.00 |
A display, “Old Style” soft-serif typeface inspired by early 20th century typefaces |
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| ttf-fraunces-variable |
1.000-1 |
1 |
0.00 |
A display, “Old Style” soft-serif typeface inspired by early 20th century typefaces (variable) |
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| ttf-fraunces-variable-git |
0.001-1 |
1 |
0.00 |
A display, “Old Style” soft-serif typeface inspired by early 20th century typefaces (variable) |
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| ttf-gentium-basic |
1.1-5 |
33 |
0.43 |
Fonts based on the original Gentium design with additional weights |
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| ttf-hananiah |
2-2 |
1 |
0.00 |
A Hebrew simulation typeface derived from Ezra SIL |
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| ttf-impallari-raleway-dots |
1.0-1 |
4 |
0.00 |
A dotted version of Raleway, from Pablo Impallari |
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| ttf-kanit |
0-1 |
2 |
0.36 |
a Thai + Latin formal sans serif font family with 18 styles |
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| ttf-konstruktor |
1.004-1 |
0 |
0.00 |
A narrow cousin of another constructivist typeface, Red October |
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| ttf-lausanne |
1.005-1 |
1 |
0.00 |
A luxury serif typeface borrowing from classic Didot with a hint of Copperplate |
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| ttf-league-fonts |
1:0-4 |
9 |
0.03 |
A package depending on all the fonts from The League of Moveable Type |
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| ttf-league-gothic |
1:1.601-1 |
18 |
0.00 |
A revival of an old classic, Alternate Gothic #1 |
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| ttf-league-mono |
1:2.220-1 |
5 |
0.02 |
A monospace typeface inspired by Fira Mono, Libertinus Mono, and Courier |
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| ttf-league-mono-variable |
1:2.220-1 |
5 |
0.02 |
A monospace typeface inspired by Fira Mono, Libertinus Mono, and Courier |
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| ttf-league-script-number-one |
20160215-3 |
7 |
0.00 |
A script font between a girl’s love notes and handwritten letters from the ’21s |
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| ttf-league-spartan |
1:2.220-1 |
5 |
0.00 |
A geometric sans-serif revival of ATF’s classic Spartan |
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| ttf-league-spartan-git |
2.220.r1.g8811c61-1 |
1 |
0.00 |
A geometric sans-serif revival of ATF’s classic Spartan |
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| ttf-league-spartan-variable |
1:2.220-1 |
5 |
0.00 |
A geometric sans-serif revival of ATF’s classic Spartan |
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| ttf-league-spartan-variable-git |
2.220.r1.g8811c61-1 |
1 |
0.00 |
A geometric sans-serif revival of ATF’s classic Spartan |
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| ttf-leander |
1.0-1 |
0 |
0.00 |
A serif font face from Tension Type with a distressed, eroded look |
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| ttf-librebarcode |
1.008-1 |
0 |
0.00 |
Barcode fonts for various barcode standards |
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| ttf-mac-fonts |
20100901.134-1 |
318 |
3.03 |
Mac fonts including Lucida Grande, Apple Garamond and other fonts from Apple |
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| ttf-mada |
1.3-1 |
1 |
0.00 |
A geometric, unmodulted Arabic display typeface |
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| ttf-marcellus |
1.000-1 |
0 |
0.00 |
A set of flared serif typefaces inspired by classic Roman inscription letterforms |
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| ttf-marcellus-sc |
1.000-1 |
0 |
0.00 |
A set of flared serif typefaces inspired by classic Roman inscription letterforms |
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| ttf-ms-fonts |
2.0-12 |
2000 |
11.42 |
Core TTF Fonts from Microsoft |
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| ttf-plus-jakarta-sans |
2.5-1 |
0 |
0.00 |
an open-source font designed for Jakarta "City of collaboration" program in 2020 |
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| ttf-plus-jakarta-sans-variable |
2.5-1 |
0 |
0.00 |
an open-source font designed for Jakarta "City of collaboration" program in 2020 |
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| ttf-quicksand-variable |
3.003-2 |
3 |
0.20 |
A sans serif typeface designed by Andrew Paglinawan using geometric shapes (variable) |
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| ttf-raleway |
4.101-1 |
46 |
0.00 |
An elegant sans-serif font family, now 9 weights and italic style |
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| ttf-raleway-git |
4.100.r2.g9af4c69-1 |
0 |
0.00 |
An elegant sans-serif font family, originally in a single thin weight, now 9 weights |
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| ttf-raleway-variable |
4.101-1 |
46 |
0.00 |
An elegant sans-serif font family, now 9 weights and italic style |
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| ttf-raleway-variable-git |
4.100.r2.g9af4c69-1 |
0 |
0.00 |
An elegant sans-serif font family, originally in a single thin weight, now 9 weights |
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| ttf-red-october |
2.000-1 |
0 |
0.00 |
Constructivist typeface inspired by Russian propaganda posters |
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| ttf-redressed |
1.001-1 |
0 |
0.00 |
A typeface blending script and italic letterforms in an upright non-connecting style |
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| ttf-reem-kufi |
0.9-1 |
1 |
0.00 |
A Kufic typeface based on early Kific modeles retrofitted to the Fatimid Kufic grid |
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| ttf-sbl-greek |
1.00_Build010-3 |
1 |
0.00 |
Society of Biblical Literature’s Greek font |
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| ttf-sbl-hebrew |
1.56a_Build016-2 |
1 |
0.00 |
Society of Biblical Literature’s Hebrew font |
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| ttf-sil-abyssinica |
2.000-5 |
1 |
0.00 |
Ethiopic script font following calligraphic traditions |
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| ttf-sil-alkalami |
1.200-4 |
1 |
0.00 |
Unicode font for Arabic-based writing systems in the Kango region of Nigeria and Niger |
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| ttf-sil-annapurna |
1.204-4 |
1 |
0.00 |
supports the many diverse languages that use the Devanagari script |
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